{"version":"1.0","provider_name":"Exilarte","provider_url":"https:\/\/exilarte.org\/en","author_name":"Stephanie Jacobson","author_url":"https:\/\/exilarte.org\/en\/author\/stephanie-jacobson","title":"Felix Khuner | archival collection of the Kolisch Quartet - Exilarte","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BtQF1kg2Im\"><a href=\"https:\/\/exilarte.org\/en\/felix-khuner\">Felix Khuner | archival collection of the Kolisch Quartet<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/exilarte.org\/en\/felix-khuner\/embed#?secret=BtQF1kg2Im\" width=\"600\" height=\"338\" title=\"&#8220;Felix Khuner | archival collection of the Kolisch Quartet&#8221; &#8212; Exilarte\" data-secret=\"BtQF1kg2Im\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,a,i,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if(\"link\"===t.message)if(a=l.createElement(\"a\"),i=l.createElement(\"a\"),a.href=r.getAttribute(\"src\"),i.href=t.value,o.test(i.protocol))if(i.host===a.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),s=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<s.length;n++){if(!(r=(t=s[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"Vienna, 1906 \u2013 1991, San Francisco Khuner joined what was then the Neue Wiener Streichquartett as second violin in 1927 just as it transitioned into the Kolisch Quartet. Initially, he was reluctant to join the ensemble, but agreed after being told that Sch\u00f6nberg himself would be in charge of rehearsals. Khuner was not just remarkable... Read more &raquo;","thumbnail_url":"https:\/\/exilarte.org\/wp-content\/uploads\/2026\/01\/EaZ-039-01-00001_Kolisch-Quartett_Portrait-1280x986.jpg"}