{"id":10255,"date":"2025-04-01T08:29:16","date_gmt":"2025-04-01T06:29:16","guid":{"rendered":"https:\/\/exilarte.org\/?page_id=10255"},"modified":"2025-11-20T12:12:14","modified_gmt":"2025-11-20T11:12:14","slug":"the-exhibition-eric-zeisl-viennas-lost-son-in-foreign-lands","status":"publish","type":"page","link":"https:\/\/exilarte.org\/en\/the-exhibition-eric-zeisl-viennas-lost-son-in-foreign-lands","title":{"rendered":"The exhibition \u201cEric Zeisl &#8211; Vienna&#8217;s Lost Son in Foreign Lands&#8221;"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Erich Zeisl - Vienna\u2019s Lost Son in Foreign Lands | exhibition 2025\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/vpog6JqV7Q8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><a href=\"https:\/\/exilarte.org\/en\/nachlaesse\/en-nachlaesse-erich-zeisl\" target=\"_blank\" rel=\"noreferrer noopener\">Erich Zeisl<\/a> (1905-1959) is one of those displaced Viennese composers whose works have returned to contemporary musical consciousness thanks to the achievements of exile music research and have found their way into the current canon of literature. Born in Leopoldstadt in 1905, Zeisl was enrolled as a highly talented teenager at the then Academy of Music and Performing Arts Vienna (now the mdw) in 1920\/21. It is therefore an important concern of the Exilarte Center to honor this composer, who was so closely associated with Vienna and died in Los Angeles, with an exhibition.<\/p>\n\n\n\n<p>Zeisl put his signature to his fate in Austria with the song \u201cKomm s\u00fc\u00dfer Tod\u201d: composed in January 1938 and premiered in Vienna&#8217;s Ehrbarsaal in February of that year, it was the last song in the German language to end a flourishing career &#8211; shattered by the rise of National Socialism and the Anschluss that immediately followed in March 1938. It is precisely this image of the clash of worlds &#8211; Zeisl&#8217;s origins, the Caf\u00e9 Tegetthoff, were soon \u201cAryanized\u201d, Zeisl himself escaped to Paris under dramatic circumstances after the November pogrom of 1938 &#8211; that marks the entrance to an exhibition that aims to make the rupture of exile into a \u201cbefore\u201d and \u201cafter\u201d tangible.<\/p>\n\n\n\n<p>The public&#8217;s perception and reception of the works in this \u201cbefore\u201d and \u201cafter\u201d were fundamentally different. The exhibition traces these moments of an exile biography, the narrative line follows the exile locations Paris, New York and Los Angeles.<\/p>\n\n\n\n<p>While abroad, his style changed in the direction of \u201cJewish art music\u201d, which is also the subject of the exhibition. Barbara Zeisl-Schoenberg, Zeisl&#8217;s daughter, and Randy Schoenberg, his grandson, have donated the entire correspondence (over 5,000 letters) and the musical estate to the archive of the mdw&#8217;s Exilarte Center.<\/p>\n\n\n\n<p>The exhibition catalog is published by <a href=\"https:\/\/www.vandenhoeck-ruprecht-verlage.com\/themen-entdecken\/literatur-sprach-und-kulturwissenschaften\/musikwissenschaft\/59696\/erich-zeisl-wiens-verlorener-sohn-in-der-fremde\" target=\"_blank\" rel=\"noreferrer noopener\">B\u00f6hlau Verlag.<\/a><\/p>\n\n\n\n<p><strong>The duration of the exhibition is from 14.05. &#8211; 20.12.2025<\/strong><br>Curator: Karin Wagner<\/p>\n\n\n\n<p><strong>Opening hours are:<\/strong><br>Wednesday &#8211; Friday: 15:00 &#8211; 19:00<br>Saturday: 13:00 &#8211; 17:00<\/p>\n\n\n\n<p>Closed on public holidays.<br><strong>Free admission!<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis:100%\">\n<figure data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/exilarte.org\\\/en\\\/the-exhibition-eric-zeisl-viennas-lost-son-in-foreign-lands\"}'  class=\"wp-block-gallery has-nested-images columns-default is-cropped\">\n<figure class=\"wp-block-image size-medium\"><img data-attachment-id=\"10408\" data-permalink=\"https:\/\/exilarte.org\/en\/the-exhibition-eric-zeisl-viennas-lost-son-in-foreign-lands\/zeisl_c-stp_web-039-4374\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374-scaled.jpg?fit=1707%2C2560&amp;ssl=1\" data-orig-size=\"1707,2560\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"zeisl_c-stp_web-039-4374\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374-scaled.jpg?fit=800%2C1200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374-scaled.jpg?fit=1200%2C1799&amp;ssl=1\" loading=\"lazy\" width=\"1200\" height=\"1799\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374.jpg?resize=1200%2C1799&#038;ssl=1\" alt=\"\" class=\"wp-image-10408\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374-scaled.jpg?resize=1280%2C1919&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374-scaled.jpg?resize=800%2C1200&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374-scaled.jpg?resize=480%2C720&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374-scaled.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374-scaled.jpg?resize=1024%2C1536&amp;ssl=1 1024w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374-scaled.jpg?resize=1366%2C2048&amp;ssl=1 1366w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-039-4374-scaled.jpg?w=1707&amp;ssl=1 1707w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><figcaption>(c) Stephan Polzer<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img data-attachment-id=\"10413\" data-permalink=\"https:\/\/exilarte.org\/en\/the-exhibition-eric-zeisl-viennas-lost-son-in-foreign-lands\/zeisl_c-stp_web-005-4395\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?fit=2560%2C1707&amp;ssl=1\" data-orig-size=\"2560,1707\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"zeisl_c-stp_web-005-4395\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?fit=800%2C534&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?fit=1200%2C801&amp;ssl=1\" loading=\"lazy\" width=\"1200\" height=\"801\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395.jpg?resize=1200%2C801&#038;ssl=1\" alt=\"\" class=\"wp-image-10413\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?resize=1280%2C854&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?resize=800%2C534&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?resize=480%2C320&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?resize=2048%2C1366&amp;ssl=1 2048w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?resize=600%2C400&amp;ssl=1 600w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-005-4395-scaled.jpg?w=2400&amp;ssl=1 2400w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><figcaption>(c) Stephan Polzer<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img data-attachment-id=\"10412\" data-permalink=\"https:\/\/exilarte.org\/en\/the-exhibition-eric-zeisl-viennas-lost-son-in-foreign-lands\/zeisl_c-stp_web-043-4376-1\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?fit=2560%2C1707&amp;ssl=1\" data-orig-size=\"2560,1707\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"zeisl_c-stp_web-043-4376-1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?fit=800%2C534&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?fit=1200%2C801&amp;ssl=1\" loading=\"lazy\" width=\"1200\" height=\"801\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1.jpg?resize=1200%2C801&#038;ssl=1\" alt=\"\" class=\"wp-image-10412\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?resize=1280%2C854&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?resize=800%2C534&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?resize=480%2C320&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?resize=2048%2C1366&amp;ssl=1 2048w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?resize=600%2C400&amp;ssl=1 600w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-043-4376-1-scaled.jpg?w=2400&amp;ssl=1 2400w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><figcaption>(c) Stephan Polzer<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img data-attachment-id=\"10410\" data-permalink=\"https:\/\/exilarte.org\/en\/the-exhibition-eric-zeisl-viennas-lost-son-in-foreign-lands\/zeisl_c-stp_web-033-4367-1\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?fit=2560%2C1707&amp;ssl=1\" data-orig-size=\"2560,1707\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"zeisl_c-stp_web-033-4367-1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?fit=800%2C534&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?fit=1200%2C801&amp;ssl=1\" loading=\"lazy\" width=\"1200\" height=\"801\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1.jpg?resize=1200%2C801&#038;ssl=1\" alt=\"\" class=\"wp-image-10410\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?resize=1280%2C854&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?resize=800%2C534&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?resize=480%2C320&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?resize=2048%2C1366&amp;ssl=1 2048w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?resize=600%2C400&amp;ssl=1 600w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/05\/zeisl_c-stp_web-033-4367-1-scaled.jpg?w=2400&amp;ssl=1 2400w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><figcaption>(c) Stephan Polzer<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Erich Zeisl (1905-1959) is one of those displaced Viennese composers whose works have returned to contemporary musical consciousness thanks to the achievements of exile music research and have found their way into the current canon of literature. Born in Leopoldstadt in 1905, Zeisl was enrolled as a highly talented teenager at the then Academy of<a class=\"excerpt-read-more\" href=\"https:\/\/exilarte.org\/en\/the-exhibition-eric-zeisl-viennas-lost-son-in-foreign-lands\" title=\"ReadThe exhibition \u201cEric Zeisl &#8211; Vienna&#8217;s Lost Son in Foreign Lands&#8221;\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The exhibition \u201cEric Zeisl - Vienna&#039;s Lost Son in Foreign Lands&quot; - Exilarte<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/exilarte.org\/en\/the-exhibition-eric-zeisl-viennas-lost-son-in-foreign-lands\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The exhibition \u201cEric Zeisl - Vienna&#039;s Lost Son in Foreign Lands&quot; - Exilarte\" \/>\n<meta property=\"og:description\" content=\"Erich Zeisl (1905-1959) is one of those displaced Viennese composers whose works have returned to contemporary musical consciousness thanks to the achievements of exile music research and have found their way into the current canon of literature. Born in Leopoldstadt in 1905, Zeisl was enrolled as a highly talented teenager at the then Academy of... 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