{"id":396,"date":"2019-06-10T11:35:26","date_gmt":"2019-06-10T11:35:26","guid":{"rendered":"https:\/\/exilarte.org\/?page_id=396"},"modified":"2025-04-14T08:52:47","modified_gmt":"2025-04-14T06:52:47","slug":"projects-2","status":"publish","type":"page","link":"https:\/\/exilarte.org\/en\/projects-2","title":{"rendered":"Exilarte CD series"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" width=\"1200\" height=\"1065\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?resize=1200%2C1065&#038;ssl=1\" alt=\"\" class=\"wp-image-9999 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?resize=1280%2C1136&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?resize=800%2C710&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?resize=480%2C426&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?resize=768%2C681&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?resize=1536%2C1363&amp;ssl=1 1536w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?w=1864&amp;ssl=1 1864w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Julius B\u00fcrger <br><strong>ORF Radio-Symphony Orchestra Vienna<\/strong><\/h3>\n\n\n\n<p>Celloconcerto | Songs for Orchestra | Eastern Symphony<\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img data-attachment-id=\"10044\" data-permalink=\"https:\/\/exilarte.org\/en\/projects-2\/bildschirmfoto-2025-03-04-um-10-21-07-2\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.21.07.png?fit=1596%2C1534&amp;ssl=1\" data-orig-size=\"1596,1534\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Bildschirmfoto-2025-03-04-um-10.21.07\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.21.07.png?fit=800%2C769&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.21.07.png?fit=1200%2C1153&amp;ssl=1\" loading=\"lazy\" width=\"1200\" height=\"1153\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.21.07.png?resize=1200%2C1153&#038;ssl=1\" alt=\"\" class=\"wp-image-10044 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.21.07.png?resize=1280%2C1230&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.21.07.png?resize=800%2C769&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.21.07.png?resize=480%2C461&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.21.07.png?resize=768%2C738&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.21.07.png?resize=1536%2C1476&amp;ssl=1 1536w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.21.07.png?w=1596&amp;ssl=1 1596w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Julius B\u00fcrger <br><strong>A Journey in Exile &#8211; The Lieder of Julius Burger<\/strong><\/h3>\n\n\n\n<p>Ryan Hugh Ross <br>Si\u00e2n M\u00e0iri Cameron<br>Nicola Rose<br>Daniel Rieppel<br><\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<p>The eventful life and colourful career of the Viennese composer Julius B\u00fcrger (1897-1995) intersected with many important personalities of 20th century music such as Egon Wellesz, Franz Schreker, Guido Adler, Bruno Walter and Otto Klemperer. Despite his success at international opera houses and radio stations, B\u00fcrger&#8217;s true path as a composer was changed forever by the rise of National Socialism. Having fled to London, he arranged for the BBC and created the \u2018radio potpourri\u2019 genre, but his original compositions (songs, chamber music and orchestral works) also display the typical characteristics of a master of his craft. Although he continued to compose during his decades in exile in the USA, a wealth of works remained unperformed and hidden until they were brought back to light in the last years of his life by his estate lawyer Ronald S. Pohl in New York City. Julius B\u00fcrger&#8217;s estate is in the archive of the Exilarte Centre of the mdw &#8211; University of Music and Performing Arts Vienna and is published by G. Schirmer \/ Wise Music and made available worldwide.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" width=\"1012\" height=\"982\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/02\/Bildschirmfoto-2025-02-26-um-13.01.12.png?resize=1012%2C982&#038;ssl=1\" alt=\"\" class=\"wp-image-9983 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/02\/Bildschirmfoto-2025-02-26-um-13.01.12.png?w=1012&amp;ssl=1 1012w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/02\/Bildschirmfoto-2025-02-26-um-13.01.12.png?resize=800%2C776&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/02\/Bildschirmfoto-2025-02-26-um-13.01.12.png?resize=480%2C466&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/02\/Bildschirmfoto-2025-02-26-um-13.01.12.png?resize=768%2C745&amp;ssl=1 768w\" sizes=\"(max-width: 1012px) 100vw, 1012px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Hans Winterberg <br><strong>Chamber Music Vol. 1<\/strong> <br><\/h3>\n\n\n\n<p>String Quartet No. 1 | Cello Sonata | Violin Sonata<\/p>\n\n\n\n<p>Suites for Trumpet and Piano and Viola and Piano<\/p>\n\n\n\n<p><br>Eda Records (<a href=\"https:\/\/eda-records.com\/index.php?article_id=177&amp;cd_id=96\" target=\"_blank\" rel=\"noreferrer noopener\">EDA 51<\/a>)<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-center\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" width=\"1012\" height=\"980\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/02\/Bildschirmfoto-2025-02-26-um-13.01.25.png?resize=1012%2C980&#038;ssl=1\" alt=\"\" class=\"wp-image-9985 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/02\/Bildschirmfoto-2025-02-26-um-13.01.25.png?w=1012&amp;ssl=1 1012w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/02\/Bildschirmfoto-2025-02-26-um-13.01.25.png?resize=800%2C775&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/02\/Bildschirmfoto-2025-02-26-um-13.01.25.png?resize=480%2C465&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/02\/Bildschirmfoto-2025-02-26-um-13.01.25.png?resize=768%2C744&amp;ssl=1 768w\" sizes=\"(max-width: 1012px) 100vw, 1012px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Hans Winterberg <br><strong>Chamber Music Vol. <\/strong>2 <br><\/h3>\n\n\n\n<p>Trio for Clarinet, Cello and Piano | Suite for Trumpet and Piano No. 2<br>\u201cThere and Here\u201d | Suites for Violin and Piano &amp; Clarinet and Piano<br><br>Piano Trio \u201cMemories of the Sudeten Mountains\u201d<br>Eda Records (<a href=\"https:\/\/www.eda-records.com\/177-0-CD-im-Detail.html?cd_id=98\" target=\"_blank\" rel=\"noreferrer noopener\">EDA 53<\/a>)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized is-style-rounded\"><img loading=\"lazy\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/04\/sm-sticker-nominiert-png-1.png?resize=130%2C130&#038;ssl=1\" alt=\"\" class=\"wp-image-10283\" width=\"130\" height=\"130\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/04\/sm-sticker-nominiert-png-1.png?resize=1280%2C1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/04\/sm-sticker-nominiert-png-1.png?resize=800%2C800&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/04\/sm-sticker-nominiert-png-1.png?resize=480%2C480&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/04\/sm-sticker-nominiert-png-1.png?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/04\/sm-sticker-nominiert-png-1.png?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/04\/sm-sticker-nominiert-png-1.png?resize=2048%2C2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/04\/sm-sticker-nominiert-png-1.png?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/04\/sm-sticker-nominiert-png-1.png?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 130px) 100vw, 130px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<p>In cooperation with Exilarte, the Berlin label EDA Records is dedicating a focus to the chamber music and piano works of Hans Winterberg, the only significant surviving Czech-Jewish composer of his generation. The CDs are available in stores, on all known streaming platforms. Purchased editions of the sheet music are available from <a href=\"https:\/\/www.schott-music.com\/de\/catalogsearch\/result\/?q=hans+winterberg\" target=\"_blank\" rel=\"noreferrer noopener\">Schott Music<\/a>.<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" width=\"1200\" height=\"1200\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0531cover.jpg?resize=1200%2C1200&#038;ssl=1\" alt=\"\" class=\"wp-image-10022 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0531cover-scaled.jpg?resize=1280%2C1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0531cover-scaled.jpg?resize=800%2C800&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0531cover-scaled.jpg?resize=480%2C480&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0531cover-scaled.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0531cover-scaled.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0531cover-scaled.jpg?resize=2048%2C2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0531cover-scaled.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0531cover-scaled.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0531cover-scaled.jpg?w=2400&amp;ssl=1 2400w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3><strong>Hans Winterberg \u2013 Piano Music <\/strong><br><strong>Vol. 1<\/strong><\/h3>\n\n\n\n<p>Sonata for Piano No. 2 | Four Intermezzi | Suite Theresienstadt | Suite for Piano | <br>7 Neo-Impressionist Pieces in Twelve-Tone<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" width=\"1200\" height=\"1200\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0609-cover.jpg?resize=1200%2C1200&#038;ssl=1\" alt=\"\" class=\"wp-image-10025 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0609-cover-scaled.jpg?resize=1280%2C1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0609-cover-scaled.jpg?resize=800%2C800&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0609-cover-scaled.jpg?resize=480%2C480&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0609-cover-scaled.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0609-cover-scaled.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0609-cover-scaled.jpg?resize=2048%2C2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0609-cover-scaled.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0609-cover-scaled.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0609-cover-scaled.jpg?w=2400&amp;ssl=1 2400w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3><strong>Hans Winterberg \u2013 Piano Music<\/strong><br><strong>Vol. <\/strong>2<\/h3>\n\n\n\n<p>Toccata | Piano Sonata No. 1 | Impressionist Piano Suite | Suite for Piano | \u201cMemories to Bohemia\u201d<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" width=\"1200\" height=\"1200\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0491cover.jpg?resize=1200%2C1200&#038;ssl=1\" alt=\"\" class=\"wp-image-10028 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0491cover-scaled.jpg?resize=1280%2C1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0491cover-scaled.jpg?resize=800%2C800&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0491cover-scaled.jpg?resize=480%2C480&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0491cover-scaled.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0491cover-scaled.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0491cover-scaled.jpg?resize=2048%2C2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0491cover-scaled.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0491cover-scaled.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC0491cover-scaled.jpg?w=2400&amp;ssl=1 2400w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3><strong>Hans Winterberg \u2013 Chamber Music <\/strong><br><strong>Vol. <\/strong>1<\/h3>\n\n\n\n<p>Suite for Flute, Oboe, Clarinet, Bassoon and Harpsichord | Suite for Clarinet and Piano | Sonata for Cello and Piano | Wind Quintet | Suite for Flute, Oboe, Clarinet, Bassoon and Piano<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" width=\"1200\" height=\"1200\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0683.jpg?resize=1200%2C1200&#038;ssl=1\" alt=\"\" class=\"wp-image-10030 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0683.jpg?resize=1280%2C1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0683.jpg?resize=800%2C800&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0683.jpg?resize=480%2C480&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0683.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0683.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0683.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/TOCC-0683.jpg?w=1448&amp;ssl=1 1448w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3><strong>Hans Winterberg \u2013 Chamber Music<\/strong><br><strong>Vol. <\/strong>2<\/h3>\n\n\n\n<p>String Quartet No.2 | String Quartet No. 3 | String Quartet No. 4<\/p>\n\n\n\n<p>For further information, please contact: <a href=\"mailto:info@exilarte.org\" target=\"_blank\" rel=\"noreferrer noopener\">info@exilarte.org<\/a> or visit the <a href=\"https:\/\/toccataclassics.com\/composer\/hans-winterberg\/\" target=\"_blank\" rel=\"noreferrer noopener\">Toccata Classics website<\/a><a href=\"https:\/\/toccataclassics.com\/composer\/hans-winterberg\/\">. <\/a><\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img data-attachment-id=\"10051\" data-permalink=\"https:\/\/exilarte.org\/en\/projects-2\/bildschirmfoto-2025-03-04-um-10-24-08\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.24.08.png?fit=1886%2C1672&amp;ssl=1\" data-orig-size=\"1886,1672\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Bildschirmfoto-2025-03-04-um-10.24.08\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.24.08.png?fit=800%2C709&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.24.08.png?fit=1200%2C1064&amp;ssl=1\" loading=\"lazy\" width=\"1200\" height=\"1064\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.24.08.png?resize=1200%2C1064&#038;ssl=1\" alt=\"\" class=\"wp-image-10051 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.24.08.png?resize=1280%2C1135&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.24.08.png?resize=800%2C709&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.24.08.png?resize=480%2C426&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.24.08.png?resize=768%2C681&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.24.08.png?resize=1536%2C1362&amp;ssl=1 1536w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-04-um-10.24.08.png?w=1886&amp;ssl=1 1886w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3><strong>Hans Winterberg \u2013 Rundfunk-Sinfonieorchester Berlin<\/strong> <\/h3>\n\n\n\n<p>Johannes Kalitze<br>Jonathan Powell<\/p>\n\n\n\n<p>Sinfonia drammatica | Piano Concerto No. 1 | Rhythmophonie<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<p>Hans Winterberg, born in Prague in 1901, studied with Alexander Zemlinsky and Alois H\u00e1ba. He worked as a conductor and freelance composer until the annexation of the Czechoslovak Republic by Nazi Germany in 1939. As the scion of a Jewish family that had lived in Prague for centuries, he survived the Holocaust through a series of miracles. After the Communists came to power in Czechoslovakia, he moved to Germany. His compositional legacy, locked away for years in a German music archive, has only been rediscovered in recent years. Winterberg&#8217;s music combines a wide variety of influences to create a highly original and exciting personal style. He takes up essential stylistic elements of Jan\u00e1\u010dek but is also influences by the Second Viennese School and French Impressionism. He saw himself as a bridge-builder between the cultures of Eastern and Western Europe.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img data-attachment-id=\"3134\" data-permalink=\"https:\/\/exilarte.org\/en\/projects-2\/die-letzte-blaue-walter-arlen-cd-cover\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/Die-letzte-Blaue-Walter-Arlen-CD-Cover.jpg?fit=400%2C355&amp;ssl=1\" data-orig-size=\"400,355\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Die-letzte-Blaue-Walter-Arlen-CD-Cover\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/Die-letzte-Blaue-Walter-Arlen-CD-Cover.jpg?fit=300%2C266&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/Die-letzte-Blaue-Walter-Arlen-CD-Cover.jpg?fit=400%2C355&amp;ssl=1\" loading=\"lazy\" width=\"400\" height=\"355\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/Die-letzte-Blaue-Walter-Arlen-CD-Cover.jpg?resize=400%2C355&#038;ssl=1\" alt=\"\" class=\"wp-image-3134 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/Die-letzte-Blaue-Walter-Arlen-CD-Cover.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/Die-letzte-Blaue-Walter-Arlen-CD-Cover.jpg?resize=300%2C266&amp;ssl=1 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Walter Arlen<br><strong>Die letzte Blaue<\/strong><br>(2 CDs)<\/h3>\n\n\n\n<p>Daniel Wnukowski, Piano<br>Rebecca Nelsen, Soprano<br>Christian Immler, Bariton<br>Daniel Hope, Violin<br><br>Gramola 98996<\/p>\n<\/div><\/div>\n\n\n\n<p>The disaster of the extinction of culture and civil society by the Nazi regime, intensified by his own dismay and enforced exile, constitutes the basis of Walter Arlen&#8217;s compositional oeuvre. This downfall is symbolized by Die letzte Blaue, the name of the last night-time tram of Vienna Transport, identifiable by its blue light, and a homage to an unforgettable hit of the time. Apart from works like this one for piano solo (Monotypes, Mementos), this double CD by the Polish-Canadian pianist Daniel Wnukowski also contains works for piano and violin (Daniel Hope) and songs for soprano (Rebecca Nelsen) and baritone (Christian Immler). A unique feature is the three-part work ARBEIT MACHT FREI for piano and metronome, which was written in 1995 after a visit to the former extermination camp of Auschwitz.<\/p>\n\n\n\n<p>For the CD tracklist, please click <a href=\"https:\/\/exilarte.org\/wp-content\/uploads\/2021\/07\/die-letzte-Blaue.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">here<\/mark><\/a>. <br>To buy this CD, please contact <a href=\"mailto:info@exilarte.org\" target=\"_blank\" rel=\"noreferrer noopener\">info@exilarte.org<\/a> | Price: \u20ac 20<br>You can also purchase the CD as <a href=\"https:\/\/www.gramola.at\/en\/shop\/produkte\/kammermusik\/gramola\/daniel+hope,rebecca+nelsen,wnukowski,immler\/walter+arlen\/121733\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">download<\/mark><\/a>.<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" width=\"1200\" height=\"1202\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.50.30.png?resize=1200%2C1202&#038;ssl=1\" alt=\"\" class=\"wp-image-10010 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.50.30.png?resize=1280%2C1282&amp;ssl=1 1280w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.50.30.png?resize=800%2C801&amp;ssl=1 800w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.50.30.png?resize=480%2C481&amp;ssl=1 480w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.50.30.png?resize=768%2C769&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.50.30.png?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.50.30.png?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.50.30.png?w=1490&amp;ssl=1 1490w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Walter Arlen<br>English Symphony Orchestra | BCC <br><\/h3>\n\n\n\n<p>Women\u2019s Chorus of Wals | Kenneth Woods&nbsp;| Anna Huntley&nbsp;| Gwilym Bowen | Thomas Mole<\/p>\n\n\n\n<p>The Song of&nbsp;Songs | Poet in Exile<\/p>\n\n\n\n<p><a href=\"http:\/\/www.signumrecords.com\">www.signumrecords.com<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img data-attachment-id=\"3140\" data-permalink=\"https:\/\/exilarte.org\/en\/projects-2\/cover1-walter-arlen-es-geht-wohl-anders-1\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Walter-Arlen-Es-geht-wohl-anders-1.jpg?fit=400%2C342&amp;ssl=1\" data-orig-size=\"400,342\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"cover1-Walter-Arlen-Es-geht-wohl-anders-1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Walter-Arlen-Es-geht-wohl-anders-1.jpg?fit=300%2C257&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Walter-Arlen-Es-geht-wohl-anders-1.jpg?fit=400%2C342&amp;ssl=1\" loading=\"lazy\" width=\"400\" height=\"342\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Walter-Arlen-Es-geht-wohl-anders-1.jpg?resize=400%2C342&#038;ssl=1\" alt=\"\" class=\"wp-image-3140 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Walter-Arlen-Es-geht-wohl-anders-1.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Walter-Arlen-Es-geht-wohl-anders-1.jpg?resize=300%2C257&amp;ssl=1 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Walter Arlen<br>Things turn out differently<br>(2 CDs)<\/h3>\n\n\n\n<p>Rebecca Nelsen, Soprano<br>Christian Immler, Bariton<br>Danny Driver, Piano<\/p>\n\n\n\n<p>Gramola 98946\/47<\/p>\n<\/div><\/div>\n\n\n\n<p>Walter Arlen is one of the last surviving composers of a generation that could have been wiped out by the Nazis: After escaping from Vienna in 1939, he not only became a music critic for the Los Angeles Times, but as founder of the Music Department at Loyola Marymount University he contributed significantly to the cultural transfer of Austria\u2019s musical tradition. Arlen, born in 1920, has always been a miniaturist, composing tonally. A huge cross-section of his major works can now be heard on this double CD.<\/p>\n\n\n\n<p>For the CD tracklist, please click <a href=\"https:\/\/exilarte.org\/wp-content\/uploads\/2021\/07\/Es-geht-wohl-anders-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">here<\/mark><\/a>.  <br>To buy this CD, please contact <a href=\"mailto:info@exilarte.org\" target=\"_blank\" rel=\"noreferrer noopener\">info@exilarte.org<\/a>  | Price: \u20ac20   <br>You can also purchase the CD as <a href=\"https:\/\/www.gramola.at\/en\/shop\/produkte\/lieder+und+arien\/gramola\/immler,driver,nelsen\/walter+arlen\/121632\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">download<\/mark><\/a>. <\/p>\n\n\n\n<p><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-very-light-gray-color\">.<\/mark><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img data-attachment-id=\"3138\" data-permalink=\"https:\/\/exilarte.org\/en\/projects-2\/cover1-2-2\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-2.jpg?fit=400%2C337&amp;ssl=1\" data-orig-size=\"400,337\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"cover1-2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-2.jpg?fit=300%2C253&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-2.jpg?fit=400%2C337&amp;ssl=1\" loading=\"lazy\" width=\"400\" height=\"337\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-2.jpg?resize=400%2C337&#038;ssl=1\" alt=\"\" class=\"wp-image-3138 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-2.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-2.jpg?resize=300%2C253&amp;ssl=1 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3><strong>The Ox on the Roof and other Bans \u2013 Milhaud \u2022 Sch\u00f6nberg \u2022 Gal \u2022 Schulhoff<\/strong><br>(1 CD)<\/h3>\n\n\n\n<p>Friederike Haufe, Piano<br>Volker Ahmels, Piano<\/p>\n\n\n\n<p>Gramola 98892<\/p>\n<\/div><\/div>\n\n\n\n<p>The perfectly attuned German piano duo Friederike Haufe and Volker Ahmels, who in countless concert projects have committed themselves to the topic of \u2018outlawed music\u2019, i.e. works banned by the Nazis, and acquired an international reputation with their much heeded debut in Israel and the autonomous Palestinian territories in 1997, in their first recording for Gramola present an exceptional programme in every respect and one marking the way for the treatment of this period in musical history. Rarely performed works for piano four-hands by composers of the 20th century, whose lives were marked by persecution, exile or murder, such as Darius Milhaud, Leo Smit, Ernst Toch, Arnold Schoenberg, Hans G\u00e1l and Erwin Schulhoff constitute an impressive enrichment of the traditional repertoire for this instrumentation.<\/p>\n\n\n\n<p>For the CD tracklist, please click <a href=\"https:\/\/exilarte.org\/wp-content\/uploads\/2021\/07\/Der-Ochse-auf-dem-Dach.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">here<\/mark><\/a>.  <br>To buy this CD, please contact <a href=\"mailto:info@exilarte.org\" target=\"_blank\" rel=\"noreferrer noopener\">info@exilarte.org<\/a>  | Price: \u20ac16  <br>You can also purchase the CD as <a href=\"https:\/\/www.gramola.at\/en\/shop\/produkte\/klaviermusik\/gramola\/friederike+haufe,volker+ahmels\/schulhoff,milhaud,schoenberg,gal\/121648\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">download<\/mark><\/a>. <\/p>\n\n\n\n<p><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-very-light-gray-color\">..<\/mark><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img data-attachment-id=\"3142\" data-permalink=\"https:\/\/exilarte.org\/en\/projects-2\/cover1-hans-gal-the-right-tempo-1\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Hans-Gal-The-right-Tempo-1.jpg?fit=400%2C385&amp;ssl=1\" data-orig-size=\"400,385\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"cover1-Hans-Gal-The-right-Tempo-1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Hans-Gal-The-right-Tempo-1.jpg?fit=300%2C289&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Hans-Gal-The-right-Tempo-1.jpg?fit=400%2C385&amp;ssl=1\" loading=\"lazy\" width=\"400\" height=\"385\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Hans-Gal-The-right-Tempo-1.jpg?resize=400%2C385&#038;ssl=1\" alt=\"\" class=\"wp-image-3142 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Hans-Gal-The-right-Tempo-1.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2020\/12\/cover1-Hans-Gal-The-right-Tempo-1.jpg?resize=300%2C289&amp;ssl=1 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3><strong>Hans G\u00e1l \u2013 The Right Tempo<\/strong><br>(1 CD)<\/h3>\n\n\n\n<p>Ulrike Anton, Flute<br>Russell Ryan, Piano<br>Cornelia L\u00f6scher, Violin<br>Wolfhart Schuster, Violin<\/p>\n\n\n\n<p>Gramola 98896<\/p>\n<\/div><\/div>\n\n\n\n<p>The Austrian composer Hans G\u00e1l (1890-1987) spent his early years as a Brahms researcher and advanced to one of the most frequently performed composers of the 1920s and early 1930s. Among other publications he also wrote the famous \u2018Instructions on Reading Scores\u2019, taught composition and became the director of the Music Academy in Mainz in 1929. In 1933, he was forced to emigrate with his family to Austria and then to Great Britain in 1938 were he was interned as an enemy alien. He later became a lecturer for music at the University of Edinburgh. The CD introduces you to wonderful chamber music: Three Sketches for Piano, Three Intermezzi for Flute and Piano, the Sonata for Two Violins and Piano and the \u2018Huyton Suite\u2019 for Flute and Two Violins.<\/p>\n\n\n\n<p>For the CD tracklist, please click <a href=\"https:\/\/exilarte.org\/wp-content\/uploads\/2021\/07\/The-Right-Tempo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">here<\/mark><\/a>.  <br>To buy this CD, please contact <a href=\"mailto:info@exilarte.org\" target=\"_blank\" rel=\"noreferrer noopener\">info@exilarte.org<\/a>   | Price: \u20ac16  <br>You can also purchase the CD as <a href=\"https:\/\/www.gramola.at\/en\/shop\/produkte\/kammermusik\/gramola\/ulrike+anton,u.a.\/hans+gal\/121595\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">download<\/mark><\/a><\/p>\n\n\n\n<p><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-very-light-gray-color\">.<\/mark><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img data-attachment-id=\"4992\" data-permalink=\"https:\/\/exilarte.org\/en\/projects-2\/bildschirmfoto-2021-06-16-um-10-13-15-2\" data-orig-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/06\/Bildschirmfoto-2021-06-16-um-10.13.15.png?fit=1020%2C1530&amp;ssl=1\" data-orig-size=\"1020,1530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Bildschirmfoto-2021-06-16-um-10.13.15\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/06\/Bildschirmfoto-2021-06-16-um-10.13.15.png?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/06\/Bildschirmfoto-2021-06-16-um-10.13.15.png?fit=683%2C1024&amp;ssl=1\" loading=\"lazy\" width=\"683\" height=\"1024\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/06\/Bildschirmfoto-2021-06-16-um-10.13.15.png?resize=683%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-4992 size-full\" srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/06\/Bildschirmfoto-2021-06-16-um-10.13.15.png?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/06\/Bildschirmfoto-2021-06-16-um-10.13.15.png?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/06\/Bildschirmfoto-2021-06-16-um-10.13.15.png?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/06\/Bildschirmfoto-2021-06-16-um-10.13.15.png?w=1020&amp;ssl=1 1020w\" sizes=\"(max-width: 683px) 100vw, 683px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Treasures from the exil.arte Center<br>(1 CD, 1 DVD)<\/h3>\n\n\n\n<p><strong>CD<\/strong><br>Students and young graduates of the University of Music and Performing Arts Vienna interpret works by Julius B\u00fcrger, Hans G\u00e1l, Wilhelm Grosz, Andr\u00e9 Singer and Hans Winterberg.<\/p>\n\n\n\n<p><strong>DVD<\/strong><br>Walter Arlen\u00b4s First Century, a documentary by Stephanus Domanig<br><br>mdw 2020<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Julius B\u00fcrger ORF Radio-Symphony Orchestra Vienna Celloconcerto | Songs for Orchestra | Eastern Symphony Julius B\u00fcrger A Journey in Exile &#8211; The Lieder of Julius Burger Ryan Hugh Ross Si\u00e2n M\u00e0iri CameronNicola RoseDaniel Rieppel The eventful life and colourful career of the Viennese composer Julius B\u00fcrger (1897-1995) intersected with many important personalities of 20th century<a class=\"excerpt-read-more\" href=\"https:\/\/exilarte.org\/en\/projects-2\" title=\"ReadExilarte CD series\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Exilarte CD series - Exilarte<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/exilarte.org\/en\/projects-2\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exilarte CD series - Exilarte\" \/>\n<meta property=\"og:description\" content=\"Julius B\u00fcrger ORF Radio-Symphony Orchestra Vienna Celloconcerto | Songs for Orchestra | Eastern Symphony Julius B\u00fcrger A Journey in Exile &#8211; The Lieder of Julius Burger Ryan Hugh Ross Si\u00e2n M\u00e0iri CameronNicola RoseDaniel Rieppel The eventful life and colourful career of the Viennese composer Julius B\u00fcrger (1897-1995) intersected with many important personalities of 20th century... Read more &raquo;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/exilarte.org\/en\/projects-2\" \/>\n<meta property=\"og:site_name\" content=\"Exilarte\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-14T06:52:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46-1280x1136.png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/exilarte.org\/en#organization\",\"name\":\"Exilarte - Zentrum f\u00fcr verfolgte Musik\",\"url\":\"https:\/\/exilarte.org\/en\",\"sameAs\":[],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/exilarte.org\/en#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/03\/exilarte_logo_2021_de.png?fit=574%2C574&ssl=1\",\"contentUrl\":\"https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/03\/exilarte_logo_2021_de.png?fit=574%2C574&ssl=1\",\"width\":574,\"height\":574,\"caption\":\"Exilarte - Zentrum f\u00fcr verfolgte Musik\"},\"image\":{\"@id\":\"https:\/\/exilarte.org\/en#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/exilarte.org\/en#website\",\"url\":\"https:\/\/exilarte.org\/en\",\"name\":\"Exilarte\",\"description\":\"Zentrum f\u00fcr verfolgte Musik\",\"publisher\":{\"@id\":\"https:\/\/exilarte.org\/en#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/exilarte.org\/en?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/exilarte.org\/en\/projects-2#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?fit=1864%2C1654&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?fit=1864%2C1654&ssl=1\",\"width\":1864,\"height\":1654},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/exilarte.org\/en\/projects-2#webpage\",\"url\":\"https:\/\/exilarte.org\/en\/projects-2\",\"name\":\"Exilarte CD series - Exilarte\",\"isPartOf\":{\"@id\":\"https:\/\/exilarte.org\/en#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/exilarte.org\/en\/projects-2#primaryimage\"},\"datePublished\":\"2019-06-10T11:35:26+00:00\",\"dateModified\":\"2025-04-14T06:52:47+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/exilarte.org\/en\/projects-2#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/exilarte.org\/en\/projects-2\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/exilarte.org\/en\/projects-2#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\/\/exilarte.org\/en\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Exilarte CD series\"}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Exilarte CD series - Exilarte","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/exilarte.org\/en\/projects-2","og_locale":"en_US","og_type":"article","og_title":"Exilarte CD series - Exilarte","og_description":"Julius B\u00fcrger ORF Radio-Symphony Orchestra Vienna Celloconcerto | Songs for Orchestra | Eastern Symphony Julius B\u00fcrger A Journey in Exile &#8211; The Lieder of Julius Burger Ryan Hugh Ross Si\u00e2n M\u00e0iri CameronNicola RoseDaniel Rieppel The eventful life and colourful career of the Viennese composer Julius B\u00fcrger (1897-1995) intersected with many important personalities of 20th century... Read more &raquo;","og_url":"https:\/\/exilarte.org\/en\/projects-2","og_site_name":"Exilarte","article_modified_time":"2025-04-14T06:52:47+00:00","og_image":[{"url":"https:\/\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46-1280x1136.png"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"11 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Organization","@id":"https:\/\/exilarte.org\/en#organization","name":"Exilarte - Zentrum f\u00fcr verfolgte Musik","url":"https:\/\/exilarte.org\/en","sameAs":[],"logo":{"@type":"ImageObject","@id":"https:\/\/exilarte.org\/en#logo","inLanguage":"en-US","url":"https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/03\/exilarte_logo_2021_de.png?fit=574%2C574&ssl=1","contentUrl":"https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2021\/03\/exilarte_logo_2021_de.png?fit=574%2C574&ssl=1","width":574,"height":574,"caption":"Exilarte - Zentrum f\u00fcr verfolgte Musik"},"image":{"@id":"https:\/\/exilarte.org\/en#logo"}},{"@type":"WebSite","@id":"https:\/\/exilarte.org\/en#website","url":"https:\/\/exilarte.org\/en","name":"Exilarte","description":"Zentrum f\u00fcr verfolgte Musik","publisher":{"@id":"https:\/\/exilarte.org\/en#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/exilarte.org\/en?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"ImageObject","@id":"https:\/\/exilarte.org\/en\/projects-2#primaryimage","inLanguage":"en-US","url":"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?fit=1864%2C1654&ssl=1","contentUrl":"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-03-03-um-08.35.46.png?fit=1864%2C1654&ssl=1","width":1864,"height":1654},{"@type":"WebPage","@id":"https:\/\/exilarte.org\/en\/projects-2#webpage","url":"https:\/\/exilarte.org\/en\/projects-2","name":"Exilarte CD series - Exilarte","isPartOf":{"@id":"https:\/\/exilarte.org\/en#website"},"primaryImageOfPage":{"@id":"https:\/\/exilarte.org\/en\/projects-2#primaryimage"},"datePublished":"2019-06-10T11:35:26+00:00","dateModified":"2025-04-14T06:52:47+00:00","breadcrumb":{"@id":"https:\/\/exilarte.org\/en\/projects-2#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/exilarte.org\/en\/projects-2"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/exilarte.org\/en\/projects-2#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/exilarte.org\/en"},{"@type":"ListItem","position":2,"name":"Exilarte CD series"}]}]}},"featured_image_src":null,"featured_image_src_square":null,"_links":{"self":[{"href":"https:\/\/exilarte.org\/en\/wp-json\/wp\/v2\/pages\/396"}],"collection":[{"href":"https:\/\/exilarte.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/exilarte.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/exilarte.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/exilarte.org\/en\/wp-json\/wp\/v2\/comments?post=396"}],"version-history":[{"count":77,"href":"https:\/\/exilarte.org\/en\/wp-json\/wp\/v2\/pages\/396\/revisions"}],"predecessor-version":[{"id":10286,"href":"https:\/\/exilarte.org\/en\/wp-json\/wp\/v2\/pages\/396\/revisions\/10286"}],"wp:attachment":[{"href":"https:\/\/exilarte.org\/en\/wp-json\/wp\/v2\/media?parent=396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}