{"id":670,"date":"2019-06-09T13:31:57","date_gmt":"2019-06-09T13:31:57","guid":{"rendered":"https:\/\/exilarte.org\/?p=670"},"modified":"2019-08-12T08:10:34","modified_gmt":"2019-08-12T08:10:34","slug":"political-theater-in-exile","status":"publish","type":"post","link":"https:\/\/exilarte.org\/en\/political-theater-in-exile","title":{"rendered":"Political Theater in Exile"},"content":{"rendered":"\n<p>The exil.arte Center expanded on 21.05.2019 its exhibition &#8220;When I compose, I&#8217;m back in Vienna&#8221; with a portrayal of the life and work of Erwin Piscator and Maria Ley Piscator under the title &#8220;Political Theater in Exile&#8221;.<br>This expansion is part of The Lahr of Leitis Academy &amp; Archive, which was recently acquired by the exil.arte center.<\/p>\n\n\n\n<p>The exhibition shows Piscator&#8217;s significant influence on the development of the theater on both sides of the Atlantic. Piscator firmly believed that &#8220;art only serves its purpose if it contributes to human improvement.&#8221;<\/p>\n\n\n\n<p>The exhibtion is open daily (Tuesday &#8211; Saturday from 3 pm to 7pm)<\/p>\n\n\n\n<div data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/exilarte.org\\\/en\\\/political-theater-in-exile\"}'  class=\"wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular\"><div class=\"tiled-gallery__gallery\"><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><img srcset=\"https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6315.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6315.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6315.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6315.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"308\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6315\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6315.jpg\" data-width=\"1280\" src=\"https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6315.jpg?ssl=1\"\/><\/figure><\/div><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><img srcset=\"https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6319.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6319.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6319.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6319.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"310\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6319\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6319.jpg\" data-width=\"1280\" src=\"https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6319.jpg?ssl=1\"\/><\/figure><figure class=\"tiled-gallery__item\"><img srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6297.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6297.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6297.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6297.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"304\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6297\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6297.jpg\" data-width=\"1280\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6297.jpg?ssl=1\"\/><\/figure><\/div><\/div><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><img srcset=\"https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6311.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6311.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6311.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6311.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"306\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6311\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6311.jpg\" data-width=\"1280\" src=\"https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6311.jpg?ssl=1\"\/><\/figure><figure class=\"tiled-gallery__item\"><img srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6336.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6336.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6336.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6336.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"316\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6336\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6336.jpg\" data-width=\"1280\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6336.jpg?ssl=1\"\/><\/figure><figure class=\"tiled-gallery__item\"><img srcset=\"https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6368.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6368.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6368.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i1.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6368.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"326\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6368\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6368.jpg\" data-width=\"1280\" 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src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6364.jpg?ssl=1\"\/><\/figure><\/div><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><img srcset=\"https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6322.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6322.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6322.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6322.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"312\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6322\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6322.jpg\" data-width=\"1280\" 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600w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6292.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6292.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6292.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"300\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6292\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6292.jpg\" data-width=\"1280\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6292.jpg?ssl=1\"\/><\/figure><\/div><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><img srcset=\"https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6288.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6288.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6288.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6288.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"298\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6288\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6288.jpg\" data-width=\"1280\" src=\"https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6288.jpg?ssl=1\"\/><\/figure><figure class=\"tiled-gallery__item\"><img srcset=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6263.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6263.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6263.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6263.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"296\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6263\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6263.jpg\" data-width=\"1280\" src=\"https:\/\/i0.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6263.jpg?ssl=1\"\/><\/figure><\/div><\/div><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><img srcset=\"https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6261.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6261.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6261.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6261.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"294\" data-link=\"https:\/\/exilarte.org\/politisches-theater-im-exil\/dscf6261\" data-url=\"https:\/\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6261.jpg\" data-width=\"1280\" src=\"https:\/\/i2.wp.com\/exilarte.org\/wp-content\/uploads\/2019\/06\/DSCF6261.jpg?ssl=1\"\/><\/figure><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The exil.arte Center expanded on 21.05.2019 its exhibition &#8220;When I compose, I&#8217;m back in Vienna&#8221; with a portrayal of the life and work of Erwin Piscator and Maria Ley Piscator under the title &#8220;Political Theater in Exile&#8221;.This expansion is part of The Lahr of Leitis Academy &amp; Archive, which was recently acquired by the exil.arte<a class=\"excerpt-read-more\" href=\"https:\/\/exilarte.org\/en\/political-theater-in-exile\" title=\"ReadPolitical Theater in Exile\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":3,"featured_media":301,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[23,4],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Political Theater in Exile - Exilarte<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/exilarte.org\/en\/political-theater-in-exile\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Political Theater in Exile - Exilarte\" \/>\n<meta property=\"og:description\" content=\"The exil.arte Center expanded on 21.05.2019 its exhibition &#8220;When I compose, I&#8217;m back in Vienna&#8221; with a portrayal of the life and work of Erwin Piscator and Maria Ley Piscator under the title &#8220;Political Theater in Exile&#8221;.This expansion is part of The Lahr of Leitis Academy &amp; Archive, which was recently acquired by the exil.arte... 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