Category: Aktuell

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SPECIAL EVENTS as part of the ORF Long Night of Museums | October 4, 2025

© ORF Design, Hans Leitner

On Saturday, October 4th, 2025, the “ORF Long Night of Museums” will be held throughout Austria. 

The mdw Exilarte Center is taking part again. This year the center is once again offering a variety of events, including lectures, concerts and guided tours of the exhibition “Eric Zeisl – Vienna’s Lost Son in Foreign Lands” and through our permanent exhibitions. 

SPECIAL EVENTS as part of the ORF Long Night of Museums

1) “Bernhard Klein – A Viennese zither virtuoso in the shadows of oblivion” | lecture by Michael Haider (historian, BMEIA) | Monika Kutter (zither) (start: 6:15 p.m.)

Opening:
Dr. Gerold Gruber, Head of the Exilarte Center of the mdw

In his lecture, historian Dr. Michael Haider (BMEIA) sheds light on the eventful life and work of the almost forgotten Viennese musician Bernhard Klein (1861–1941). As a celebrated zither virtuoso, composer, and music teacher, Klein shaped the musical life of the turn of the century before he almost disappeared from cultural memory due to persecution, isolation, and his deportation to Riga in 1941.

Musical performance by Dr. Monika Kutter with zither music by Berhard Klein.

2) Chamber music evening in cooperation with the “Missing Voices” initiative – Hans Gál, Walter Bricht, and Henriette Bosmans (start: 8:00 p.m.)

Like the mdw’s Exile Art Center, the Missing Voices initiative is dedicated to rediscovering and raising awareness of composers whose careers and lives were interrupted or destroyed by National Socialism, exile, and discrimination. At the invitation of the mdw’s Exile Art Center, Sarah Bayens (violin) and Dimitri Malignan (piano) will perform works by Henriette Bosmans, Hans Gál, and Walter Bricht.

3) “Songs and Piano Music” – a tribute to Georg Tintner (start: 10:00 p.m.)

Aleksandra Bobrowska (piano) and Danae Eleni (soprano) present a finely curated program focusing on songs and piano works by Georg Tintner. In addition to his poetic settings—based on texts by Rilke, Storm, and Hesse, among others—the program includes works by Chopin, Debussy, and Audric de Oliveira, spanning the expressive spectrum from Romanticism to Impressionism and Modernism. The widow of the composer, Tanya Tintner, will be present at the concert.

4) Quick tours of the exhibition with curator Karin Wagner (7:30 p.m. and 9:30 p.m.)

Erich Zeisl – Vienna’s lost son in exile

Erich Zeisl (1905-1959) is one of those displaced Viennese composers whose works have returned to contemporary musical consciousness thanks to the achievements of exile music research and have found their way into the current canon of literature. Born in Leopoldstadt in 1905, Zeisl was enrolled as a highly talented teenager at the then Academy of Music and Performing Arts Vienna (now the mdw) in 1920/21. It is therefore an important concern of the Exilarte Center to honor this composer, who was so closely associated with Vienna and died in Los Angeles, with an exhibition. Zeisl put his signature to his fate in Austria with the song “Komm süßer Tod”: composed in January 1938 and premiered in Vienna’s Ehrbarsaal in February of that year, it was the last song in the German language to end a flourishing career – shattered by the rise of National Socialism and the Anschluss that immediately followed in March 1938. It is precisely this image of the clash of worlds – Zeisl’s origins, the Café Tegetthoff, were soon “Aryanized”, Zeisl himself escaped to Paris under dramatic circumstances after the November pogrom of 1938 – that marks the entrance to an exhibition that aims to make the rupture of exile into a “before” and “after” tangible. The public’s perception and reception of the works in this “before” and “after” were fundamentally different. The exhibition traces these moments of an exile biography, the narrative line follows the exile locations Paris, New York and Los Angeles. While abroad, his style changed in the direction of “Jewish art music”, which is also the subject of the exhibition. Barbara Zeisl-Schoenberg, Zeisl’s daughter, and Randy Schoenberg, his grandson, have donated the entire correspondence (over 5,000 letters) and the musical estate to the archive of the mdw’s Exilarte Center.

ADMISSION

Tickets can be purchased directly at the Exilarte Center!

Exilarte center of the mdw, Lothringerstraße 18 / 1st floor, 1030 Vienna

Regular: €17 (incl. VAT)
Reduced:* €14 (incl. VAT)

Free entry for children up to 12 years
*Reduced tickets for schoolchildren, students, seniors, people with disabilities, military servants and Ö1 Club members. Please have relevant proof ready on site.

Concert Series ” Echo of the Unheard” | October 15th, 2025 | works by Hans Winterberg

A concert evening dedicated to the chamber music works of the composer Hans Winterberg (1901-1991). Under the title “Echo of the Unheard”, a selection of his works will be interpreted by students of the mdw.

Born in Prague, Winterberg’s artistic career was severely impaired by persecution, deportation and exile. As a Jewish composer, he survived Theresienstadt and emigrated to Germany in 1947, where he had to re-establish himself as a musician under difficult circumstances. It was only decades after his death that a rediscovery of his work began – initiated by his grandson Peter Kreitmeir and supported by the Exilarte Center of the mdw in collaboration with the music publisher Boosey & Hawkes.

Katja Kaiser, archivist at the Exilarte Center, curates the program and leads through the evening.

Wednesday, October 15th, 2025 at 7:00 p.m

Palais Ehrbar – Kleiner Ehrbar Saal
Mühlgasse 28
1040 Vienna

Admission free! / Registration here.

Contributors:

Arabella Fenyves, soprano | Cuore Piano Trio | Eric Ziegelbauer, trumpet

Program:

Trio for violin, cello, and piano (1950)
Suite for trumpet and piano (1945)
Suite for trumpet and piano (1944)
Sudeten Suite for violin, cello, and piano (1963/64)
„Dort und Hier“ for soprano, violin, cello, and piano (1937)

Concert Series ” Echo of the Unheard” | November 13th, 2025 | works by Édouard Van Cleeff

As part of this recital, students from the renowned Guildhall School of Music, under the direction of pianist Marc Verter, will present the song oeuvre of the exiled composer Édouard Van Cleeff.

The concert is part of a cooperative project between the Guildhall School and the mdw’s Exilarte Center with the aim of creating the first scholarly edition of his songs and making his music accessible to a new audience in both London and Vienna.

Although Van Cleeff celebrated successes in the 1930s – including the premiere and radio broadcast of his opera “Pancho” in Nice – little is known about his life today. He was expelled from Nice in 1943 and deported to French and later German camps. Thanks to the initiative of the American pianist Joy Schreier and the support of Renée Fleming, Van Cleeff’s musical legacy finally reached the Exilarte Center.

Thursday, November 13th, 2025 at 7:00 p.m

Palais Ehrbar – Kleiner Ehrbar Saal
Mühlgasse 28
1040 Vienna

Admission free! / Registration here.

Contributors:

Marc Verter and students of the Guildhall School of Music & Drama London: Maud Niklas, soprano | Alexandre Allix, tenor | Mark Zang, piano | Sooyeon Baik, piano

Program:

Musical works by Édouard Rosario Van Cleef from the archive of the mdw’s Exilarte Center

Moderation:

Marc Verter, pianist, Guildhall School of Music & Drama London

Concert Series ” Echo of the Unheard” | December 18th, 2025 | works by Marcel Tyberg

On this concert evening, the mdw’s Exilarte Center dedicates itself to the impressive string sextet by the Austrian composer Marcel Tyberg (1893-1944).

Gerold Gruber will lead through the program and place the work in its musical and historical context.

Tyberg, originally from Vienna, later lived and worked as an organist and conductor in Abbazia (now Opatija, Croatia). Despite growing repression under National Socialism, he continued to compose and gave his musical manuscripts to a friend – shortly before he was deported to Auschwitz in 1944 and murdered there. His music, long lost, is now experiencing a belated rediscovery. Alongside symphonies and sacred music, the string sextet, now performed in its entirety for the first time in Vienna, is one of his central chamber music works.

Thursday, December 18th, 2025 at 7:00 p.m

Palais Ehrbar – Kleiner Ehrbar Saal
Mühlgasse 28
1040 Vienna

Admission free! / Registration here.

Contributors:

Wiktoria Borkowska, violin | Emil Geber, violin | Magdalena Rychetsky, viola | Nicholas Hughes, viola | Hannah Amann, cello | Felix Vermeirsch, cello

Program:

Marcel Tyberg: String Sextet in F minor

Moderation:

Gerold Gruber
Founder of exil.arte and head of the Exilarte Center

The exhibition “Eric Zeisl. Vienna’s Lost Son in Foreign Lands”

Erich Zeisl (1905-1959) is one of those displaced Viennese composers whose works have returned to contemporary musical consciousness thanks to the achievements of exile music research and have found their way into the current canon of literature. Born in Leopoldstadt in 1905, Zeisl was enrolled as a highly talented teenager at the then Academy of Music and Performing Arts Vienna (now the mdw) in 1920/21. It is therefore an important concern of the Exilarte Center to honor this composer, who was so closely associated with Vienna and died in Los Angeles, with an exhibition.

Zeisl put his signature to his fate in Austria with the song “Komm süßer Tod”: composed in January 1938 and premiered in Vienna’s Ehrbarsaal in February of that year, it was the last song in the German language to end a flourishing career – shattered by the rise of National Socialism and the Anschluss that immediately followed in March 1938. It is precisely this image of the clash of worlds – Zeisl’s origins, the Café Tegetthoff, were soon “Aryanized”, Zeisl himself escaped to Paris under dramatic circumstances after the November pogrom of 1938 – that marks the entrance to an exhibition that aims to make the rupture of exile into a “before” and “after” tangible.

The public’s perception and reception of the works in this “before” and “after” were fundamentally different. The exhibition traces these moments of an exile biography, the narrative line follows the exile locations Paris, New York and Los Angeles.

While abroad, his style changed in the direction of “Jewish art music”, which is also the subject of the exhibition. Barbara Zeisl-Schoenberg, Zeisl’s daughter, and Randy Schoenberg, his grandson, have donated the entire correspondence (over 5,000 letters) and the musical estate to the archive of the mdw’s Exilarte Center.

The exhibition catalog is published by Böhlau Verlag.

The duration of the exhibition is from 14.05. – 20.12.2025
Curator: Karin Wagner

Opening hours are:
Wednesday – Friday: 15:00 – 19:00
Saturday: 13:00 – 17:00

Closed in July & August and on public holidays.
Free admission!

Walter Bricht – musical portrait on radio klassik Stephansdom

Broadcast on March 28, 2025, 11:00 a.m.

In cooperation with Exilarte, radio klassik Stephansdom is dedicating the program Rubato to the Austrian composer Walter Bricht. His fate is exemplary for many musicians whose careers came to an abrupt end as a result of political persecution under National Socialism.

Walter Bricht (1904-1970) was a composer, pianist and music teacher. Born in Vienna, he was considered an exceptional musical talent. In 1938, he emigrated to the USA, where he taught as a professor and continued to compose. His oeuvre includes songs, chamber music and orchestral works.

In the program, Arabella Fenyves talks to one of his daughters, flautist Dana Higbee, about her father’s life and work. The program includes songs by Walter Bricht, performed by Arabella Fenyves (soprano) and David Hausknecht (piano).

Exilarte is committed to rediscovering and reappraising the biographies and works of expelled composers – Walter Bricht’s artistic legacy is also part of the Exilarte Center’s estate

More information about the program at https://radioklassik.at/programm/sendeformate/archiv/1428/.