Category: news

“Fremde Erde” – Exilarte at the Festival of Ostracised Music | 12–29 April 2026 | Vienna, Neubau

For the third time, the FREMDE ERDE festival is shining a spotlight on musical works that were banned under the Nazi regime. From 12 to 29 April 2026, in Vienna’s Neubau district, more than 100 musicians will breathe new life into the compositions of over 20 persecuted artists.

The “Fremde Erde” music festival is a project of the VIVA LA CLASSICA! association in cooperation with the Vienna Wiesenthal Institute for Holocaust Studies (VWI), Neubau erinnert, the Jewish Community of Vienna (IKG.Kultur), PEN Austria and Exilarte Zentrum at the mdw – University of Music and Performing Arts Vienna.

About the program
The festival – featuring concerts, workshops and lectures – pays tribute to the lives and work of composers whose works were banned under the Nazi regime and denounced as ‘degenerate art’ – a term used at the time to describe all forms of art deemed undesirable in the Third Reich. VIVA LA CLASSICA! brings to life the music of Walter Arlen, Hanns Eisler, Michael Graubart, Maria Hofer, Friedrich Hollaender, Joseph Horovitz, Vítĕzslava Kaprálová, Fritz Kreisler, Józef Koffler, Erich Wolfgang Korngold, Alexander Kukelka, Felicitas Kukuck, Simon Laks, Hermann Leopoldi, Hilde Loewe-Flatter, Ruth Poritzky, Karol Rathaus, Ruth Schönthal, André Singer, Władysław Szpilman, Alexandre Tansman, Viktor Ullmann, Vally Weigl, Mieczysław Weinberg, Ilse Weber, Kurt Weill, Egon Wellesz, Rosy Wertheim, Hans Winterberg, Erich Zeisl, and many other composers.

Detailed information on concert dates and tickets can be found here.

Anniversary exhibition “Out of the Shadows into the Light – Persecuted Composers and their Legacy” opening on April 16th, 2026

The anniversary exhibition presents, for the first time, a panorama of the estates preserved at the Exilarte Center of the mdw – University of Music and Performing Arts Vienna, offering insight into the lives, works, and legacy of composers who were persecuted and marginalized. At the same time, it situates their creative output within its historical context and highlights its significance for contemporary research and cultures of remembrance.

The Exilarte Center preserves, researches, and makes accessible to the public the estates of numerous musicians whose lives were shaped by persecution, displacement, exile, or murder during the National Socialist era. The collection encompasses composers, performers, conductors, musicologists, as well as dancers and theatre practitioners whose artistic careers were violently disrupted or forced into exile. Many of them went on to shape the musical landscapes of their host countries, while others fell into obscurity after 1945 and are only now being rediscovered through the work of Exilarte.

These biographies reveal a multifaceted panorama of European music history in exile: from composers trained in Vienna who went on to revolutionise film music in Hollywood, to conductors who founded new orchestras overseas, to music educators, theorists, and performers who left a lasting mark on cultural life in Great Britain, the United States, Latin America, Israel, Australia, and Asia. At the same time, many of these life stories stand for the irretrievable loss of artistic potential caused by disenfranchisement, internment, material hardship, or murder in concentration camps.

The estates held at the Exilarte Center therefore document not only individual artistic biographies, but also offer a broader perspective on the global consequences of displacement and persecution for the music of the twentieth century. They demonstrate how European musical traditions were transformed in exile and what new cultural impulses emerged from experiences of loss and new beginnings. At the same time, they point to the long period of silence after 1945, during which many of these works and names disappeared from collective memory.

The anniversary exhibition builds upon this unique biographical archive. Through selected life stories, it conveys the diversity, scope, and contemporary relevance of the legacy of exile, linking personal destinies with broader historical and musicological contexts. In doing so, it makes a vital contribution to remembrance culture, historical responsibility, and the sustained visibility of suppressed cultural history.

The duration of the exhibition is from 16.04. – 20.12.2026

Opening hours are:
Wednesday – Friday: 15:00 – 19:00
Saturday: 13:00 – 17:00

Closed on public holidays.
Free admission!

“Dear Papa, how is you?” – Letters from E.W. Korngold | Song recital with reading | 28.05.2026

Erich Wolfgang Korngold’s songs and letters provide an insight into the turbulent history of his time and the life of his family. A large number of them are held in the Austrian National Library and will be sung or read as part of this music salon. The thematic focus is on Korngold’s stays in the Salzkammergut region, to which he had close ties from his early youth. Many of his works either originated in this area or were orchestrated or completed during his summer stays there. Due to the precarious political situation, Korngold did not return to Austria from film shoots in Hollywood in 1938. His retreat in Gmunden, Schloss Höselberg, was confiscated by the Gestapo in the same year. The loss of his homeland was a deeply painful blow for him.

Interpreters:

Günter Haumer, baritone
Josipa Bainac, mezzo-soprano 
David Hausknecht, piano

Gerold Gruber, reading
Lis Malina, reading

Thursday, 28th of May, 2026 at 7pm

Austrian National Library | Musiksalon
Palais Mollard
Herrengasse 9
1010 Vienna

Admission is free. Registration is not required.

Orchestral concert “Julius Bürger – A Viennese composer returns (Part II)” | 09.06.2026 | ORF RadioKulturhaus

The eventful life and dazzling career of Viennese composer Julius Bürger (1897–1995) reflect the musical and social upheavals of the 20th century. His career brought him into contact with numerous influential figures in music history, and his original compositions also bear the unmistakable signature of a master of his craft. Despite significant successes at leading opera houses and radio stations worldwide, Bürger’s artistic path was abruptly interrupted and permanently altered by the rise of National Socialism. Although he continued to compose undeterred in the following decades, a large part of his oeuvre remained hidden for a long time – until these important works were rediscovered in the last years of his life.

The performance of his music follows on from a highly acclaimed concert in August 2023, which focused on Bürger’s serious works. This concert now turns its attention to his entertaining, brilliant, and colorful compositions. The Divertimento Viennese orchestra will perform under the baton of Vinzenz Praxmarer. The soloists are the internationally acclaimed baritone Thomas Hampson and mezzo-soprano Josipa Bainac. This concert also sets a strong signal for musical discoveries: all of the works are Austrian premieres, some of them even world premieres.

Tuesday, June 9th, 2026 at 07:30 pm

ORF RadioKulturhaus/ Großer Sendesaal
Argentinierstraße 30A
1040 Vienna

Ticket reservations from April 1st at the RadioKulturhaus ticket office (in the entrance area of the Großer Sendesaal)
Phone: +43 1 / 501 70-377
Email: radiokulturhaus@orf.at
Opening hours:
Mon. – Fri. from 4:00 p.m. to 7:00 p.m.
Closed on Saturdays, Sundays, and public holidays
(For events, the box office opens 60 minutes before the start of the event.)

Performers:

Divertimento Viennese Orchestra conducted by Vinzenz Praxmarer
Thomas Hampson, baritone
Josipa Bainac, mezzo-soprano

Echo of the Unheard – The Wiener Symphoniker mark the 20th anniversary of Exilarte | 23.09.2026 | Wiener Konzerthaus

On the occasion of the 20th anniversary of exil.arte and the 10th anniversary of the Exilarte Centre of the mdw – University of Music and Performing Arts Vienna, the Vienna Symphony Orchestra, conducted by Katharina Wincor, will perform works from the Exilarte music edition by Wilhelm Grosz and Hans Winterberg. Since 2006, what was originally a remembrance culture initiative has developed into an internationally recognised research and cultural centre that successfully combines academic work, archive practice and artistic performance. Through exhibitions, publications, recordings, symposia and concerts, expelled composers have been made accessible to a wide audience.
Today, Exilarte is regarded as a model of living cultural history through the preservation of musical estates, international co-operation and the accessibility of its collections. The years 2006–2026 do not represent an end, but rather a sustainable foundation – for a living archive that gives the music history of the 20th century a lasting new perspective.

Wilhelm Grosz
Vienna, 1894 – 1939, New York City

Grosz studied at the Academy of Music and Performing Arts (now the mdw) under Franz Schreker and musicology under Guido Adler. He turned to popular music early on, for example with his Jazzband Sonata (1922) and the jazz ballet Baby in der Bar (1928). Despite Julius Korngold’s praise for his opera Sganarell, he began a career in Berlin as a producer, arranger and conductor with Ultraphon. In 1934 he fled to London and wrote numerous hits such as Red Sails in the Sunset. In 1939 he followed Erich W. Korngold’s advice to move to New York, where he died shortly after his arrival.

Hans Winterberg
Prague, 1901 – 1991, Stepperg / Upper Bavaria

Winterberg, from a German-speaking Jewish family in Prague, studied with Finke, Zemlinsky and Hába. Initially protected by his marriage to the non-Jewish pianist Maria Maschat, he was divorced in 1944 and deported to Theresienstadt. After being liberated from the ghetto, he emigrated to Germany and never returned to Prague due to the political situation. In Bavaria, he fought for compensation and struggled to find work, including at Bayerischer Rundfunk. Despite individual performances, he was denied widespread recognition throughout his life.

Wednesday, September 23rd, 2026 at 07:30 pm

Wiener Konzerthaus
Lothringerstraße 20
1030 Wien

Buy your tickets here.

Performers:

Wiener Symphoniker
Mitra Kotte, piano
Katharina Wincor, conductor

Program:

Wilhelm Grosz
Spanish Rhapsody for piano and orchestra (UA)
Serenade op. 5
Tanz op. 7

intermission

Hans Winterberg
Symphonie Nr. 2

The Publication about the work and life of the Jewish composer “Julius Bürger – Composer-Conductor – Vocal Coach”

The publication about the work and life of the Jewish composer “Julius Bürger – Composer – Conductor – Vocal Coach” has now been published by Böhlau Verlag!

Author: Ryan Hugh Ross
Editor: Gerold Gruber
Publisher: Böhlau Verlag Vienna
110 pp. / Language: English
Böhlau Verlag Vienna, 1st edition 2024

“JULIUS BÜRGER Composer – Conductor – Vocal Coach”

Bürger studied with Franz Schreker in Vienna and Berlin. On Bruno Walter’s recommendation, Bürger later moved to the Metropolitan Opera in New York as an assistant to Artur Bodanzky. In 1929 he became Otto Klemperer’s assistant at the Berlin Kroll Opera and returned to Vienna after Hitler’s appointment as chancellor in 1933. En route from London to Vienna in 1938, Bürger and his wife foresaw what was to come in Austria and left their luggage in Paris. In 1939 Bürger moved to America, where he worked again at the Metropolitan Opera in 1949 and began a close friendship with Dimitri Mitropoulos. His mother was shot on the way to Auschwitz, and five of his brothers were murdered in the concentration camp.

Julius Bürger’s life and work would be impossible without the care and commitment of his friend, attorney Ronald S. Pohl, Esq. lost to history. Through Pohl’s efforts, much of Bürger’s music was premiered in numerous concert performances in the early 1990s. Selected orchestral works by the composer were also recorded for commercial release, contributing to the composer’s rediscovery. After Bürger’s death in 1995, Pohl continued the preservation and promotion of the unpublished compositions until he placed the estate on permanent loan in the Exilarte Center of the mdw – University of Music and Performing Arts Vienna, in the same building where Bürger began his studies.

The estate includes Bürger’s compositions in the form of autograph manuscripts as well as a large collection of personal documents and papers, recordings, newspaper articles and photographs.

The publication was published in English by Böhlau Verlag.

The catalogue to the exhibition “Fritz Kreisler” has arrived!

The catalogue to the exhibition: Fritz Kreisler – a cosmopolitan in exile. From child prodigy to ” King of Violonists”

The exhibition at the mdw’s Exilarte Center shows the different stages of life of one of the greatest violin virtuosos of the 20th century, whose success story started in Vienna and ended in New York. Fritz Kreisler was cosmopolitan on the one hand and affected by the fate of exiles on the other.

On the occasion of the 10th International Fritz Kreisler Violin Competition, which has been held at the mdw – University of Music and Performing Arts Vienna since 1979, the new exhibition of the Exilarte Center of the mdw was developed – to present the life and importance of Fritz Kreisler to the public.

After the Nazis had banned all of his performances and recordings due to his Jewish origins, he emigrated to the USA in September 1939 and became an American citizen in 1943. In addition to his spectacular successes from childhood to the end of his career, the exhibition sheds light on him as a Jew and exile. The exhibition also shows Kreisler’s philanthropic and charitable activities. Material newly discovered in the course of the research complements the difficult research situation.

Authors: 

Ulrike Anton 
Amy Biancolli 
Albrecht Dümling 
Gerold Gruber 
Michael Haas 
Nobuko Nakamura 
Matthias Schmidt 
Eric Wen

Editor:

Prof. Dr. Gerold Gruber (Chairman of the Exilarte Center)

Publisher: 

Verlag Böhlau

If you are interested in buying, please contact: info@exilarte.org

Concert Series “Echo of the Unheard” I May 16, 2023 I Elisabeth Leonskaja, Ulrike Anton and Alissa Firsova I – In the footsteps of students of Philip Herschkowitz and his students

© Marco Borggreve

Tuesday, May 16, 2023, 7 PM (EST)
Palais Ehrbar- Large Ehrbar Hall
Mühlgasse 28, 1040 Vienna

As a former student of Alban Berg and Anton Webern, the composer Philip Herschkowitz was one of the most sought-after private teachers of young musicians in the former Soviet Union after the war until the 1980s. Because of his Jewish origins, Herschkowitz, who was born in Romania, was expelled from Vienna by the Nazi regime. In Moscow, too, he continued to suffer from anti-Semitic threats and his works were frowned upon as “formalistic”. The focus of the concert is the musical work of Dmitri Smirnov and Elena Firsova, both of whom belonged to the narrow circle of private students and whose compositions were on the regime’s notorious “black list” from 1979 onwards. The exceptional pianist Elisabeth Leonskaja could again be won as interpreter of this program, who will perform this evening together with singer Maacha Deubner, flutist Ulrike Anton, harpist Anna Verkholantseva, violist Marta Potulska and pianist and composer Alissa Firsova.

© Peter Kogoj

In an interview with Irene Suchy, the pianist Elisabeth Leonskaja and the composer Alissa Firsova will talk about their apprenticeship years with Philip Herschkowitz and the compositions on the evening’s program. The concert takes place in memory of the composer and Herschkowitz student, Dmitri Smirnov, who died of Covid-19 in 2020.

Works by: Elena Firsova, Dmitri Smirnov, Arnold Schönberg and Philip Herschkowitz

Performers:
Elisabeth Leonskaja (piano)
Ulrike Anton (flute)
Maacha Deubner, (soprano)
Alissa Firsova (piano)
Anna Verkholantseva (harp)
Marta Potulska (viola)


Moderation: Irene Suchy


When: May 16, 2023, 7 PM (EST)
Where: Palais Ehrbar- Large Ehrbar Hall
Mühlgasse 28, 1040 Vienna

CD Presentation Hans Winterberg, Piano Music  June 9, 2022

The Exilarte Center at the mdw – University of Music and Performing Arts Vienna in Cooperation with Toccata Classics.

The Theresienstadt composer Hans Winterberg (1901 – 1991) has only been known to the musical world for a few years. The Exilarte Center is largely responsible for the rediscovery of the composer and will publish a large number of compositions in cooperation with the publishing house Boosey & Hawkes over the next few years.

On her second CD with works by Hans Winterberg, the pianist Brigitte Helbig recorded the Toccata, the First Piano Sonata (1936), the Impressionistische Klavier-Suite, the Suite (1956) and Erinnerungen an Böhmen for Toccata Classics. This new CD will be presented on June 9, 2022 at 7:30 p.m. in the Franz Liszt Hall of the University of Music and Performing Arts Vienna. Prof. Dr. Gerold Gruber, chairman of the Exilarte Center, will guide the audience through this exciting evening, where Brigitte Helbig will interpret some of the works she has recorded. Furthermore, Peter Kreitmeir, grandson of Hans Winterberg, will speak about his numerous efforts supporting the work of his grandfather.

CD Presentation: Piano Music by Hans Winterberg (Volume Two), Toccata Classics

Thursday, June 9, 2022
7:30 p.m.
mdw –University of Music and Performing Arts Vienna
Lothringerstrasse 18
Franz Liszt-Saal (3rd floor)
1030 Vienna/Austria

Admission free!

Wearing an FFP2 mask during the event is recommended.

The Exilarte Center represents the mdw at the Long Night of Research I May 20, 2022

Expelled, persecuted and banned by the Nazi regime – what musical estates are telling us…

On May 20, 2022, the Exilarte Center will represent the mdw – University of Music and Performing Arts Vienna with several events about the estate of Marta Eggerth and Jan Kiepura during the Long Night of Research.

The son of Jan Kiepura and Marta Eggerth, Marjan Kiepura, himself a pianist and artistic partner of his famous mother, will report on the fate and brilliant careers of his parents in an interview with Prof. Dr. Gerold Gruber (chairman of the Exilarte Center).

Historical film recordings and audio documents from Eggerth/Kiepura can also be viewed and listened to during the event.

In addition, there will be regular guided tours through the exhibition of the Exilarte Center “My Song For You – Marta Eggerth and Jan Kiepura Between Two Worlds”.

The exhibition shows the stage and film careers as well as the musical heritage of these two famous singers. After the so-called Austrian “Anschluss” in 1938, they were forced to turn their backs on Vienna, which the Hungarian soprano and the Polish tenor had initially chosen as their new home. Through scientific research on this important estate, it has also been possible to draw attention to numerous other fates of friends and colleagues of Marta Eggerth and Jan Kiepura who were persecuted or murdered by the Nazi regime.

Long Night of Research, May 20, 2022, 5 – 11 p.m.

From 5:30 p.m., Exilarte Center (1st floor)
Short tours through the exhibition “My Song For You – Marta Eggerth and Jan Kiepura Between Two Worlds” including trivia on the content of the exhibition

7 p.m., Franz Liszt Hall (3rd floor)
Opening: video greeting from Ulrike Sych, rector of the mdw
Marjan Kiepura and his wife Jane Knox-Kiepura will report on the interesting life stories of Marta Eggerth end Jan Kiepura. In addition, historical film recordings and audio documents will be shown.

8 p.m., Franz Liszt Hall (3rd floor)
Q&A with Marjan Kiepura and Jane Knox-Kiepura

From 8:30 p.m., Exilarte Center (1st floor)
further short guided tours & trivia 

Free entry!

Recording of the event: https://mediathek.mdw.ac.at/lnf22

Exilarte Center at the mdw – University of Music and Performing Arts Vienna
Lothringerstrasse 18 (1st floor)
1030 Vienna, Austria